![]() The line “That would be enough” from “That Would Be Enough.” Death (Motif)Īlexander Hamilton was born into a family and a country in which people die young. The count up from one to ten in “The Ten Duel Commandments” each time there is a duel. The line “I’m willing to wait for it” or just “Wait for it,” from “Wait For It." This illuminates the personalities of the two women, and their respective relationships to Hamilton and his life path. The word “helpless,” whenever Eliza is in distress (from “Helpless”) and the line “you can never be satisfied” whenever Angelica is upset (from “Satisfied"). The contrast between the upbeat song and the more menacing lyrics creates a comic contrast. The melody in “You’ll Be Back” during each of King George III’s songs recurs, a sing-song, Beatles style, pop rock riff that highlights how-although he is charming-King George has a diabolical bite and anger thinly veiled just below the surface. The line “I am not throwing away my shot” from “My Shot," recurs often in the musical as a reminder that Hamilton likes to go after his desires and dreams, that he recognizes that he has a huge opportunity to forge his own path and create his own destiny. The line “Aaron Burr, Sir” from “Aaron Burr, Sir” recurs throughout, and serves to characterize Burr, Hamilton's chief rival. The fact that the line asks the audience to ponder how Hamilton could do all this gets us to focus on how surprising and impressive his accomplishments are. This line in particular highlights Hamilton's difficult childhood and shows the ways that he has overcome unthinkable odds to achieve what he has achieved. ![]() The main theme (“Alexander Hamilton”)- “How does a bastard, orphan, son of a whore…” recurs throughout the musical. Here are some specific examples of musical motifs: Musical motifs abound in Hamilton, as we follow Hamilton's biography over the course of many years. Melodic and lyrical motifs remind the audience of the characters' central psychological journey, their concerns, their worries, and their desires. ![]() This motivic structure is common in the musical theater tradition and derives from the operatic tradition. Buy Study Guide Reprises & Repeated Lines (Motif)Īs in most musicals, there are many melodies, lines, and versions of the same song that recur throughout. “From Alexander Hamilton to Elizabeth Hamilton, 4 July 1804,” Founders Online, National Archives. Chernow, Ron, Washington: A Life, 816.ġ7. Chernow, Ron, Washington: A Life, 811.ġ6. Chernow, Ron, Washington: A Life, 781.ġ5. George Washington to “The People of the United States of America,” September 19, 1796. Chernow, Ron, Alexander Hamilton, 562.ġ3. Chernow, Ron, Washington: A Life, 702.ġ1. Chernow, Ron, Washington: A Life, 701.ġ0. And Ives, Washington’s Headquarters, 212 Rogow, A Fatal Friendship, 56-57.Ħ. ![]() Hamilton the tomcat was also mentioned in Preble, History of the Flag of the United States of America, 264n1, which cites the Journal of Captain Smythe, R.A., January 1780. Knott, “The Adams Family’s Revenge Against Alexander Hamilton,” in (accessed October 20, 2015). According to one expert on Alexander Hamilton, the story about Martha Washington naming her cat for Hamilton can be traced back to a satirical piece written by a British Captain Smythe in January of 1780, which was “designed to embarrass the American revolutionaries” (see Stephen F. ![]() George Washington to Robert Cary & Company, September 20, 1765, Colonial Series. Chernow, Ron, Washington: A Life, (New York: The Penguin Press, 2010), 32.Ĥ. Chernow, Ron, Alexander Hamilton, (New York: The Penguin Press, 2004), 43.Ģ. ![]()
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